The Written Wilds

A sermon should burn slow. That’s the first line on the note card. Three words, period after each, the way Brother Alastair taught us—short declaratives like tapping a match against the box, like you mean it. Then a space where I’m supposed to write the part where restraint triumphs, where the flock leaves soot-footed and grateful their appetites did not become their masters. I tuck the note card back into my jacket. The chapel’s basement is a poured-concrete thing with a thrift-store chandelier bolted to the rebar ceiling, its glass teeth catching light from the exit sign. The Order of the Burning Veil doesn’t waste money underground; it wastes people. I have keys because someone keeps mistaking me for responsible, and tonight “responsible” means watching a god breathe through iron. They call it Ashfast . It’s not its name. It’s a warning, a tempo: ash that comes fast, as if the world were kindling and the world knew it. The god doesn’t look like anything. That’s the safest way to...

The god took a long time to die. It wept as it burned, its tears a silver too bright for the human eye. Flesh like coal and pearl cracked open in the pyre, spilling blood that sang in voices. The apprentice stood back from the flames, eyes stinging, nose bleeding. He was told not to cover his face. To witness was part of the work. “Do not flinch,” the master had said. “Do not kneel. Pity is a seed that grows into rot.” So he stood. And watched. And listened to something vast and old and afraid scream itself hoarse in a language he didn’t know, until he did. Why do you do this? We kept the rivers full. We kept your children safe. He blinked. His mouth was dry. The fire ate the voice. The words faded. Behind him, the master knelt to open the travel-altar. From it came a knife, black and blunt, and a bowl made of polished bone. No prayers were spoken. Only silence. “You will take the liver,” the master said. “Do not let it touch your skin.” The apprentice obeyed. The god’s body—what was l...